Digital reissue of the album originally released on August 15th 2012.

The six tracks of the album appears as a dysfunctional element where it is possible to trace the constituent elements of the art pour l'art, and the little (or much) of a work in the shadows, between lines of flight and subversive glare, which seems to flirt with a sort of lopsided ontological anarchism, de facto found in all his productions. On the other hand, as we know, medium is a message. In this sense, the album, in the junction of six hypnotic tracks, co-opts the refined (re)discovery of a sound of yesteryear, between Third World fascinations à la Talking Heads (of the middle ages) and kraut matter on multiple levels, where borderline electronics give itself a limit, just a hair before the avant-garde. It is therefore not difficult to come across a referential multitude while listening that goes from Ektroverde to Future Sound Of London, passing through Kraftwerk, to return in the end to a frankness regardless of market dynamics (of any market).